In some ways, the Sweet epitomized all the tacky hubris and garish silliness of the early ’70s. STUDIO ALBUMS | LIVE ALBUMS | COMPILATIONS ALBUMS | BOX SETS
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Total Size: 37.7 GB | Total Discs: 83 | 3% RAR Recovery
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Continue reading “Steely Dan – Countdown To Ecstasy (1973) ” Author Leon Posted on ApApCategories Jazz, Pop Rock Tags Steely Dan Leave a comment on Steely Dan – Countdown To Ecstasy (1973) Sweet – Discography (1971-2021)ĮAC Rip | FLAC Image + Cue + Log | Full Scans Included The loud guitars and pronounced backbeat of “Bodhisattva,” “Show Biz Kids,” and “My Old School” camouflage the fact that Countdown is a riskier album, musically speaking, than its predecessor. Label: ABC | US | Cat#: ABCX-779 | Genre: Jazz Rock, Pop RockĬan’t Buy a Thrill became an unexpected hit, and as a response, Donald Fagen became the group’s full-time lead vocalist, and he and Walter Becker acted like Steely Dan was a rock & roll band for the group’s second album, Countdown to Ecstasy. Total Size: 2.97 GB (Hi-Res) + 581 MB (CD-Quality) | 3% RAR Recovery Vinyl Rip | Hi-Res / FLAC Tracks / 24bit / 96kHz & 192kHz | CD-Quality / FLAC Tracks / 16bit / 44.1kHz Steely Dan – Countdown To Ecstasy (1973) Continue reading “Miles Davis – ‘Round About Midnight (1957) ” Author Your_SACD Posted on ApApCategories Jazz Tags Miles Davis Leave a comment on Miles Davis – ‘Round About Midnight (1957) Steely Dan – Countdown To Ecstasy (1973)
Certainly the beginning of his recording career with the label that issued most if not all of his important recordings and the recording debut of an exciting new band that had within its ranks Philly Joe Jones, Paul Chambers, pianist Red Garland, and an all but unknown tenor player named John Coltrane. Given that ‘Round About Midnight was Miles Davis’ debut Columbia recording, it was both a beginning and an ending. Update: CD-Layer & DSF Tracks have been added Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2083 | Genre: Hard Bop, Jazz Miles Davis – ‘Round About Midnight (1957) Burnside – First Recordings (2003) Miles Davis – ‘Round About Midnight (1957) Burnside – First Recordings (2003) ” Author Your_SACD Posted on ApApCategories Blues Tags R.L. That night Mitchell returned to Burnside’s place with a case of beer and some whiskey. Mitchell heard about Burnside and paid him a visit, asking if he could record him. Folklorist George Mitchell was on a mission to record unknown blues singers down South. Burnside was working on a plantation in Coldwater, MS, cutting silage. Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2026 | Genre: BluesĪt the time these tracks were cut, 19, R.L. Burnside – First Recordings (2003) ĬD-Layer / EAC Rip / FLAC Image + Cue + Log Field recordings are woven into the sound, murmuring voices birds and water spectral elements in this land of enigmatic peculiarity.R.L.
Inmany places there is a dense sonic soup where undulating tonalities curl and revolve - mysterious effects drifting past the ear - aspects of harmony appearing incidental. Plucked note sand droning tonal loops sometimes rise to the fore rolling in layers, the noiseof whirling tubes ghostly, fluctuating, bells and flutes hang in the air.
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Much of the sound here is suggestive of 'found sound' as though harvested from sonorous spaces and unmusical activities. Some sounds have a human origin indicative of mysterious presences. The album opens with muted shufflings and reverberating disturbances - a sonic wind rising and falling in the background. It must be said thought at the sounds produced by the items listed are not necessarily those you might expect, these guys are not into dainty melodies and sweet tunes.Īmbient environments thick with obscurity and ambiguity. The atmospheres are frequently disquieting, haunting and full of subtle perplexity.Īcoustic and organic sounds are embedded deep within hazy drone textures, the artists employing drones and loops, zither, flutes bells and field recordings with Opium focusing on programming and wave editings.
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Here the duo present mystifying a series of eight "imaginary landscapes" where beats are totally absent and musical structure is loose and meandering. Enigma is the third collaborative CD by Opium and Alio Die.
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